Broadcast Equipment Market Cover Image

Global Broadcast Equipment Market Trends Analysis By Product Type (Cameras and Video Equipment, Transmission and Distribution Equipment), By End-User (Broadcasting Networks, Post-Production Studios), By Technology (IP-Based Broadcast Solutions, Traditional SDI Solutions), By Regions and Forecast

Report ID : 50004016
Published Year : February 2026
No. Of Pages : 220+
Base Year : 2024
Format : PDF & Excel

Broadcast Equipment Market Size and Forecast 2026-2033

Broadcast Equipment Market was valued at approximately USD 3.82 Billion in 2024 and is projected to reach USD 6.94 Billion by 2033, expanding at a robust CAGR of 6.9% from 2026 to 2033. This growth trajectory is underpinned by accelerating digital transformation in media infrastructure, the global transition to IP based broadcasting standards, and sustained capital investment in next generation content delivery ecosystems. The market is undergoing a structural shift driven by the convergence of traditional broadcast workflows with cloud native production architectures. Broadcasters across mature and emerging economies are committing to multi year capital expenditure cycles to upgrade legacy SDI based infrastructure to software defined, IP enabled environments. The simultaneous rise of OTT platforms, live sports production, and remote broadcast models is creating parallel demand streams that reinforce sustained market momentum through the forecast period.

What is Broadcast Equipment Market?

The Broadcast Equipment Market encompasses the full spectrum of hardware, software, and integrated systems used to capture, process, encode, transmit, and deliver audio visual content across terrestrial, satellite, cable, IP, and hybrid distribution channels. Core components span professional cameras and lenses, video switchers, signal processors, encoders and decoders, transmission systems, playout and automation servers, audio consoles, graphics engines, and monitoring infrastructure. Beyond individual devices, the market includes turnkey studio systems, remote production (REMI) workflows, and cloud based broadcast platforms that blur the line between on premise and virtualized environments. Strategically, broadcast equipment sits at the intersection of telecommunications infrastructure, content economics, and digital media transformation making it a critical enabler for broadcasters, sports rights holders, government media organizations, and emerging streaming platforms seeking to maintain competitive content quality and operational efficiency at scale.

Key Market Trends

The broadcast equipment landscape is being reshaped by an unprecedented convergence of technological, economic, and regulatory forces. At the macro level, the global rollout of 5G networks is catalyzing a new generation of mobile broadcast production capabilities, enabling low latency live streaming from locations previously considered logistically prohibitive. Simultaneously, the media and entertainment industry is navigating a profound cost restructuring imperative driven by thinning advertising revenues and intensifying competition from digital native platforms pushing traditional broadcasters to seek CAPEX optimization through virtualization and remote production models. At the micro level, advancements in AI assisted production, automated graphics rendering, and real time cloud encoding are compressing the technical complexity of broadcast workflows, democratizing access to broadcast grade infrastructure for mid market and emerging market players. The net effect is a market that is simultaneously expanding in geographic reach and technical ambition, while shifting its economic architecture from hardware dominant to software and service led revenue models.

  • IP Based Infrastructure Adoption: The industry wide migration from SDI to IP based production environments guided by SMPTE ST 2110 standards is accelerating, with an estimated 60–65% of tier 1 broadcast facilities globally having either completed or actively pursuing IP transitions as of 2024.
  • Cloud Native Broadcast Workflows: Cloud production platforms are moving from pilot stage to mainstream deployment, reducing infrastructure footprints by up to 40% and enabling broadcaster agility in managing live event production across distributed geographies without proportional increases in on site crew or hardware.
  • Remote Production (REMI) Model Expansion: Remote and at home production workflows have seen adoption rates increase by over 35% since 2020, driven by cost efficiency imperatives and technological readiness fundamentally altering the equipment and bandwidth requirements of live broadcast operations.
  • 4K and 8K Content Production: Growing consumer expectations for ultra high definition content are compelling broadcasters and streaming platforms to invest in 4K and early stage 8K production ecosystems, with 4K capable camera shipments growing at approximately 8.2% annually within the broadcast segment.
  • AI Integration in Broadcast Operations: Artificial intelligence is being embedded across automated clipping, content tagging, real time translation, and predictive maintenance of broadcast hardware reducing operational overhead and unlocking new forms of content monetization and audience engagement.
  • Sustainability Mandates in Media Infrastructure: Energy efficiency is emerging as a significant procurement criterion, with major broadcasters committing to net zero operational targets. This is accelerating demand for power efficient broadcast equipment, green data center deployments, and lifecycle management programs that reduce electronic waste across the production chain.

Key Market Drivers

Global demand for broadcast equipment is being propelled by a combination of structural media industry evolution and enabling technology breakthroughs. The most immediate catalyst is the massive global investment in live sports broadcasting rights a segment that continues to attract record breaking valuations and demands best in class production infrastructure to justify those premiums. Governments in Asia Pacific, the Middle East, and Africa are simultaneously investing in public media modernization programs, funding significant upgrades to terrestrial broadcast transmission infrastructure as part of broader digital economy development agendas. On the technology side, the maturation of software defined networking (SDN) and network functions virtualization (NFV) has made IP broadcast not just technically viable but commercially superior to legacy hardware stacks. Meanwhile, the proliferation of connected devices and the explosion of streaming consumption globally are creating durable demand for high capacity content production and delivery infrastructure with no cyclical end in sight through the medium term horizon.

  • Live Sports and Entertainment Production Investment: The global live sports media rights market surpassed USD 55 billion in annual value in 2023, compelling rights holders and broadcasters to deploy state of the art production infrastructure capable of delivering immersive, multi platform viewing experiences at scale.
  • Government Funded Broadcast Digitization Programs: Dozens of national governments across South and Southeast Asia, Sub Saharan Africa, and Latin America have launched Digital Terrestrial Television (DTT) switchover programs, collectively representing multi billion dollar procurement opportunities for broadcast equipment manufacturers and systems integrators.
  • OTT Platform Proliferation and Content Investment: Global OTT content investment exceeded USD 220 billion in 2023, with platforms increasingly investing in proprietary production infrastructure and broadcast grade encoding and playout systems to support live programming strategies that compete with linear television.
  • 5G Network Commercialization: The global deployment of 5G infrastructure with more than 200 commercial networks operational across 85+ countries is enabling new broadcast use cases including mobile journalism (MoJo), real time remote production, and 5G broadcast (5G BC) delivery models that create incremental equipment demand.
  • Rising Per Capita Broadband and Digital Media Consumption: Internet penetration rates are approaching 70% globally, with digital video consumption growing at a compound rate exceeding 15% annually creating a self reinforcing demand cycle for content production infrastructure to serve audiences across all major platform types.
  • Workforce and Operational Efficiency Imperatives: Broadcasters facing sustained margin pressure are investing in automated playout, AI driven production assistance, and virtualized infrastructure to reduce operational costs by 25–35% while maintaining or improving output quality driving replacement cycles for legacy analog and first generation digital systems.

Key Market Restraints

The broadcast equipment market faces a set of structural and cyclical headwinds that temper near term growth velocity and complicate go to market strategy for vendors. The most pervasive friction point is the substantial capital commitment required to execute full infrastructure transitions particularly for mid sized broadcasters operating in markets with constrained advertising or subscription revenue bases. The coexistence of legacy SDI infrastructure that remains operationally functional with next generation IP systems creates technological inertia that delays procurement decisions even when financial conditions are favorable. Regulatory complexity further compounds market friction, as broadcast standards and spectrum management frameworks vary significantly across geographies, requiring vendors to localize products and navigate certification processes that extend time to market and compress margins. Additionally, the accelerating pace of technological change introduces a risk calculus that makes some buyers reluctant to commit to large scale infrastructure investments, fearing rapid obsolescence before asset depreciation cycles complete.

  • High Capital Expenditure Requirements: A full scale transition from SDI to IP based broadcast infrastructure typically requires investments ranging from USD 5 million to over USD 50 million for major broadcast facilities, representing a significant barrier for regional and public broadcasters operating under constrained budget environments.
  • Technological Complexity and Skills Gap: IP native broadcast workflows demand a substantially different technical skill set than traditional broadcast engineering, and the global shortage of professionals proficient in software defined media systems creates operational risk and slows adoption timelines, particularly in emerging markets.
  • Regulatory and Standards Fragmentation: Divergent spectrum allocation frameworks, broadcast licensing regimes, and national technology standards across key markets including differences between ATSC, DVB, and ISDB ecosystems increase product development complexity and limit the scalability of globally uniform equipment portfolios.
  • Supply Chain Disruption Vulnerabilities: Broadcast equipment manufacturing is heavily dependent on semiconductor components and specialized electronic subassemblies, making the supply chain susceptible to the same disruptions that impacted global electronics manufacturing in 2021–2023 with lead time volatility continuing to affect large scale project delivery timelines.
  • Legacy Infrastructure Lock In: A significant proportion of operational broadcast infrastructure globally consists of fully depreciated legacy systems with remaining technical utility, creating rational economic arguments against accelerated replacement even where newer systems offer demonstrable performance advantages.
  • Cybersecurity and Network Vulnerabilities in IP Environments: The migration of broadcast workflows to IP networks fundamentally expands the attack surface for broadcast facilities, and the broadcast industry's relatively nascent cybersecurity culture creates both real operational risk and a compliance burden that constrains deployment timelines for IP based systems in regulated markets.

Key Market Opportunities

The broadcast equipment market presents a rich and diversifying array of growth opportunities for manufacturers, technology integrators, and infrastructure investors willing to pursue market penetration strategies that extend beyond the traditional tier 1 broadcaster segment. The most immediate white space lies in the rapid growth of streaming native content producers including sports rights aggregators, faith based broadcasters, esports platforms, and enterprise video operators who require broadcast grade infrastructure but have historically been underserved by product portfolios and pricing models designed for legacy broadcast enterprises. Geographically, Sub Saharan Africa and South Asia represent among the fastest growing demand pools for DTT and satellite broadcast infrastructure, driven by population growth, rising middle class media consumption, and government digitization mandates. The accelerating convergence of broadcast and telecommunications ecosystems further opens opportunities in 5G broadcast, IPTV infrastructure, and hybrid broadband broadcast delivery architectures that require purpose built equipment categories currently at early stages of commercial maturation.

  • Emerging Market Broadcast Infrastructure Expansion: Africa's broadcasting sector is projected to grow at a CAGR exceeding 9% through 2030, driven by DTT switchover completions, growing pay TV penetration, and rising demand for locally produced content representing a significant greenfield opportunity for equipment vendors with competitive localized pricing strategies.
  • Esports and Gaming Content Production: The global esports industry, with annual revenues exceeding USD 1.8 billion and live viewership surpassing 500 million, is creating a fast growing demand segment for broadcast grade production equipment, live streaming infrastructure, and specialized graphics and overlay systems tailored to gaming content formats.
  • 5G Broadcast Commercial Deployment: The standardization of 5G Broadcast (formerly FeMBMS) under 3GPP Release 17 opens a commercially significant new delivery paradigm that requires dedicated broadcast transmission infrastructure representing a multi year equipment investment cycle for network operators and broadcast tower companies globally.
  • AI Powered Automated Production Systems: As AI capabilities mature in areas such as automated camera direction, real time sports data integration, and multilingual live captioning, there is a significant first mover opportunity for equipment vendors that embed AI native capabilities into broadcast production hardware and software platforms.
  • Hybrid Cloud On Premise Infrastructure Models: The majority of broadcasters are pursuing hybrid infrastructure strategies rather than full cloud migration, creating sustained demand for purpose built appliances, edge compute platforms, and cloud ready hardware that bridge traditional and virtualized broadcast environments.
  • Broadcast Equipment as a Service (BEaaS): Subscription and operational expenditure based models for broadcast infrastructure are gaining commercial traction, particularly among event production companies and emerging market broadcasters creating a recurring revenue opportunity for vendors willing to restructure their go to market strategy from transactional hardware sales to managed service delivery models.

Broadcast Equipment Market Applications and Future Scope

The broadcast equipment market will increasingly transcend its origins as a media industry infrastructure category to become a foundational layer of the global information and entertainment ecosystem. The boundary between broadcast production infrastructure and general purpose cloud computing is already blurring, and this convergence will accelerate with software defined broadcast platforms hosted on hyperscale cloud infrastructure eventually handling the majority of routine linear playout, automated highlight production, and real time localization tasks that today require dedicated on premise hardware.

Live sports production will evolve toward fully immersive, personalized viewing experiences powered by volumetric video capture, augmented reality overlays, and AI curated match perspectives all dependent on radical advances in broadcast processing power and low latency delivery infrastructure. Government emergency alert systems, smart city communication infrastructure, and connected transportation networks will integrate broadcast distribution capabilities particularly 5G Broadcast as resilient, one to many communication layers capable of reaching massive populations simultaneously during crisis events. Faith and community broadcasting will leverage increasingly affordable broadcast grade cloud production tools to reach diaspora audiences globally.

Broadcast Equipment Market Scope Table

Broadcast Equipment Market Segmentation Analysis

By Product Type

  • Cameras and Video Equipment
  • Transmission and Distribution Equipment
  • Encoding and Decoding Devices
  • Switchers and Control Rooms
  • Monitoring and Testing Equipment

The section covering cameras and video capture systems has led industry value with about 32% share of revenue in recent analysis, supported by strong adoption of 4K and 8K imaging and multi angle production for sports and live events, where professional shipments climbed near 28% year over year as broadcasters modernize setups and add imaging units to remote trucks and studios. Encoders, responsible for compressing and converting video into delivery formats, are the most significant contributor to throughput efficiency, holding roughly 22% of market value as demand from OTT and multi platform distribution expands and AI assisted compression gains traction.

Control room equipment such as switchers is an accelerating component, driven by transition to IP native operations and hybrid production, while monitoring and quality assurance tools see growing uptake due to automation and remote management needs. Transmission and distribution hardware benefits from infrastructure upgrades in digital broadcast and next generation standards, creating opportunities for energy efficient transmitters and amplifiers across terrestrial and satellite networks. Future trajectories point to software centric, cloud ready solutions reshaping how content is produced and delivered globally.

By End User

  • Broadcasting Networks
  • Post Production Studios
  • Content Streaming Platforms
  • Government and Military Broadcasts
  • Educational Institutions

Demand across this industry is led by large media networks, holding close to 50 percent of total spending as of 2024, driven by continuous upgrades toward IP transmission, UHD formats, and automated playout to support high channel volumes and live programming. Facilities focused on editing and finishing account for nearly one quarter of revenue, supported by rising adoption of cloud rendering, virtualised storage, and remote collaboration, which lowers production cycles by over 30 percent.

Online video delivery operators represent the fastest expanding user group, recording growth rates above 9 percent annually as advertising budgets shift toward connected devices and on demand viewing, creating strong prospects for scalable encoding, compression, and signal processing tools. Public sector communication units maintain stable investment, prioritising encrypted systems and resilient infrastructure for national outreach. Academic organisations are gaining momentum with double digit growth, supported by digital classrooms, hybrid learning models, and campus media channels, opening opportunities for compact, cost efficient production and transmission solutions.

By Technology

  • IP Based Broadcast Solutions
  • Traditional SDI Solutions
  • Cloud Enabled Broadcast Equipment
  • AI and Automation Systems
  • Virtual and Augmented Reality Integration

The sector centred on transmission and production gear is evolving rapidly as broadcasters replace ageing infrastructure with flexible, network driven systems that support high quality video and multi platform delivery. Solutions that rely on internet protocol networks have gained strong traction, with more than 60% of new facility installations worldwide adopting these frameworks due to cost savings, scalability, and real time production benefits; this area is currently expanding at a projected annual rate above 15% through the late 2020s, with live sports and news coverage driving much of this uptake.

Traditional serial digital interfaces still hold a meaningful base in legacy workflows, but their share is steadily decreasing as operators shift to ethernet connectivity and software defined components that integrate with cloud environments supporting remote collaboration and content delivery. Cloud native offerings have seen adoption growth of roughly 35% as broadcasters seek operational agility and reduced hardware dependence. Artificial intelligence enhancements for automated editing, content tagging, and workflow optimisation are emerging opportunities attracting new investment, while immersive visualisation components linked to augmented and virtual environments are creating novel use cases in live production contexts. Data from recent industry forecasts indicate that newer paradigms are overtaking older ones in share and offering the most dynamic avenues for future growth in this field.

Broadcast Equipment Market Regions

  • North America
    • United States
    • Canada
    • Mexico
  • Europe
    • United Kingdom
    • Germany
    • France
    • Italy
  • Asia Pacific
    • China
    • Japan
    • India
    • South Korea
  • Latin America
    • Brazil
    • Argentina
    • Chile
  • Middle East & Africa
    • UAE
    • South Africa
    • Saudi Arabia

The division covering North America accounts for the largest proportion of global revenue, capturing around 35 percent share in 2024, with the United States leading by a substantial margin thanks to investment in ultra high definition transmission systems and OTT platforms, followed by Canada and Mexico contributing smaller but steady portions of growth; demand for IP based and cloud enabled infrastructure remains the key catalyst in this region with continued upgrades in studio and transmission hardware. In Europe, advanced digital workflows and UHD deployments across Germany, the United Kingdom, France and Italy sustain about a quarter of global sales, while hybrid broadcast solutions and automation are emerging trends.

The Asia Pacific cluster, driven by China’s robust build out of broadcast networks along with rising consumption in India, Japan and South Korea, is among the fastest growing regions with double digit equipment installation rates and expanding digital content delivery. Latin America registers moderate expansion supported by Brazil and Argentina, and the Middle East & Africa sees growing public and private sector upgrades in the UAE, South Africa and Nigeria, presenting opportunities for new broadcast infrastructure projects in under penetrated locales.

Broadcast Equipment Market Key Players

  • NEC Corporation
  • Sony Corporation
  • Panasonic Corporation
  • Grass Valley (A Belden Brand)
  • Ross Video
  • Blackmagic Design
  • Avid Technology
  • Harmonic Inc.
  • Imagine Communications
  • Evertz Microsystems
  • NEP Group
  • TVLogic
  • Canon Inc.
  • JVC Kenwood Corporation
  • Hitachi Ltd.

    Detailed TOC of Broadcast Equipment Market

  1. Introduction of Broadcast Equipment Market
    1. Market Definition
    2. Market Segmentation
    3. Research Timelines
    4. Assumptions
    5. Limitations
  2. *This section outlines the product definition, assumptions and limitations considered while forecasting the market.
  3. Research Methodology
    1. Data Mining
    2. Secondary Research
    3. Primary Research
    4. Subject Matter Expert Advice
    5. Quality Check
    6. Final Review
    7. Data Triangulation
    8. Bottom-Up Approach
    9. Top-Down Approach
    10. Research Flow
  4. *This section highlights the detailed research methodology adopted while estimating the overall market helping clients understand the overall approach for market sizing.
  5. Executive Summary
    1. Market Overview
    2. Ecology Mapping
    3. Primary Research
    4. Absolute Market Opportunity
    5. Market Attractiveness
    6. Broadcast Equipment Market Geographical Analysis (CAGR %)
    7. Broadcast Equipment Market by Product Type USD Million
    8. Broadcast Equipment Market by End-User USD Million
    9. Broadcast Equipment Market by Technology USD Million
    10. Future Market Opportunities
    11. Product Lifeline
    12. Key Insights from Industry Experts
    13. Data Sources
  6. *This section covers comprehensive summary of the global market giving some quick pointers for corporate presentations.
  7. Broadcast Equipment Market Outlook
    1. Broadcast Equipment Market Evolution
    2. Market Drivers
      1. Driver 1
      2. Driver 2
    3. Market Restraints
      1. Restraint 1
      2. Restraint 2
    4. Market Opportunities
      1. Opportunity 1
      2. Opportunity 2
    5. Market Trends
      1. Trend 1
      2. Trend 2
    6. Porter's Five Forces Analysis
    7. Value Chain Analysis
    8. Pricing Analysis
    9. Macroeconomic Analysis
    10. Regulatory Framework
  8. *This section highlights the growth factors market opportunities, white spaces, market dynamics Value Chain Analysis, Porter's Five Forces Analysis, Pricing Analysis and Macroeconomic Analysis
  9. by Product Type
    1. Overview
    2. Cameras and Video Equipment
    3. Transmission and Distribution Equipment
    4. Encoding and Decoding Devices
    5. Switchers and Control Rooms
    6. Monitoring and Testing Equipment
  10. by End-User
    1. Overview
    2. Broadcasting Networks
    3. Post-Production Studios
    4. Content Streaming Platforms
    5. Government and Military Broadcasts
    6. Educational Institutions
  11. by Technology
    1. Overview
    2. IP-Based Broadcast Solutions
    3. Traditional SDI Solutions
    4. Cloud-Enabled Broadcast Equipment
    5. AI and Automation Systems
    6. Virtual and Augmented Reality Integration
  12. Broadcast Equipment Market by Geography
    1. Overview
    2. North America Market Estimates & Forecast 2021 - 2031 (USD Million)
      1. U.S.
      2. Canada
      3. Mexico
    3. Europe Market Estimates & Forecast 2021 - 2031 (USD Million)
      1. Germany
      2. United Kingdom
      3. France
      4. Italy
      5. Spain
      6. Rest of Europe
    4. Asia Pacific Market Estimates & Forecast 2021 - 2031 (USD Million)
      1. China
      2. India
      3. Japan
      4. Rest of Asia Pacific
    5. Latin America Market Estimates & Forecast 2021 - 2031 (USD Million)
      1. Brazil
      2. Argentina
      3. Rest of Latin America
    6. Middle East and Africa Market Estimates & Forecast 2021 - 2031 (USD Million)
      1. Saudi Arabia
      2. UAE
      3. South Africa
      4. Rest of MEA
  13. This section covers global market analysis by key regions considered further broken down into its key contributing countries.
  14. Competitive Landscape
    1. Overview
    2. Company Market Ranking
    3. Key Developments
    4. Company Regional Footprint
    5. Company Industry Footprint
    6. ACE Matrix
  15. This section covers market analysis of competitors based on revenue tiers, single point view of portfolio across industry segments and their relative market position.
  16. Company Profiles
    1. Introduction
    2. NEC Corporation
      1. Company Overview
      2. Company Key Facts
      3. Business Breakdown
      4. Product Benchmarking
      5. Key Development
      6. Winning Imperatives*
      7. Current Focus & Strategies*
      8. Threat from Competitors*
      9. SWOT Analysis*
    3. Sony Corporation
    4. Panasonic Corporation
    5. Grass Valley (A Belden Brand)
    6. Ross Video
    7. Blackmagic Design
    8. Avid Technology
    9. Harmonic Inc.
    10. Imagine Communications
    11. Evertz Microsystems
    12. NEP Group
    13. TVLogic
    14. Canon Inc.
    15. JVC Kenwood Corporation
    16. Hitachi Ltd.

  17. *This data will be provided for Top 3 market players*
    This section highlights the key competitors in the market, with a focus on presenting an in-depth analysis into their product offerings, profitability, footprint and a detailed strategy overview for top market participants.


  18. Verified Market Intelligence
    1. About Verified Market Intelligence
    2. Dynamic Data Visualization
      1. Country Vs Segment Analysis
      2. Market Overview by Geography
      3. Regional Level Overview


  19. Report FAQs
    1. How do I trust your report quality/data accuracy?
    2. My research requirement is very specific, can I customize this report?
    3. I have a pre-defined budget. Can I buy chapters/sections of this report?
    4. How do you arrive at these market numbers?
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  20. Report Disclaimer
  • NEC Corporation
  • Sony Corporation
  • Panasonic Corporation
  • Grass Valley (A Belden Brand)
  • Ross Video
  • Blackmagic Design
  • Avid Technology
  • Harmonic Inc.
  • Imagine Communications
  • Evertz Microsystems
  • NEP Group
  • TVLogic
  • Canon Inc.
  • JVC Kenwood Corporation
  • Hitachi Ltd.


Frequently Asked Questions

  • Broadcast Equipment Market was valued at USD 3.82 Billion in 2024 and is projected to reach USD 6.94 Billion by 2033, expanding at a robust CAGR of 6.9% from 2026 to 2033.

  • Live Sports and Entertainment Production Investment, Government-Funded Broadcast Digitization Programs, OTT Platform Proliferation and Content Investment are the factors driving the market in the forecasted period.

  • The major players in the Broadcast Equipment Market are NEC Corporation, Sony Corporation, Panasonic Corporation, Grass Valley (A Belden Brand), Ross Video, Blackmagic Design, Avid Technology, Harmonic Inc., Imagine Communications, Evertz Microsystems, NEP Group, TVLogic, Canon Inc., JVC Kenwood Corporation, Hitachi Ltd..

  • The Broadcast Equipment Market is segmented based Product Type, End User, Technology, and Geography.

  • A sample report for the Broadcast Equipment Market is available upon request through official website. Also, our 24/7 live chat and direct call support services are available to assist you in obtaining the sample report promptly.